Sarah O’ Grady is based in Yorkshire with Glasgow connections. She’s interested in slow stuff and how people salvage joy from adversity. She is sometimes quietly political.
She has been published, among other presses, by Butcher’s Dog, The Madrigal, BlackBough, Hedgehog Press, Broken Spine, Rough Diamond, Green Ink & is in several Dreich poetry collections. A pamphlet was short-listed by Black Bough in 2024 and another has been shortlisted by Hedgehog Press in 2025.
Sarah can be found on Bluesky and a further selection of her published work is available at sarahowriter.com
Poems
Wasps
Extermination is only a breath away. Opaque, splattered gauze for walls, bombed for clearance while their tiny hearts flutter with the burn. I watch them through glass, the men in protective suits, pumping poison, see the nest knocked from the apple tree. High noon, we suck melons in the shade, drones a bare memory. But this year our figs will fail, just like their tiny silent hearts. <<<
Lanyard
I am supposed to wear it, this talisman of power, the necklace of fear- inducing identity, but snapped startled, I am a rabbit in the headlights. I produce it when asked, which is never on the doorsteps, but always where unbreakable screens are called receptions. <<<
When it Came to Clearance…
first you bent from the waist, only later the knees. Crimson pearls of amaranth scattered late summer across autumn, matched the defiant streaks in your hair. You knew there would be debris clustered like fool’s gold around the roots, all kinds of flashy promise beneath the leather glove. Ironmongery raged under the hawthorn hedge, spiteful with rust and inter-war postponement, waiting for a chance to pierce even years later. <<<
Mercury Rising
First published online by Poetry Breakfast
I rucksacked ashes on trains. My father, his mother, the first man’s grandmother, my second man, my friend. I attract solutions, orbit melancholy, a heavy magnet in the Etch-A-Sketch of grief. I release them onto water, earth under roses, air to dark, stars. Plot the ley lines of spirits, a secret map of adieus: that tarn, black with reflection, ringing with curlews. The named bench, loose lead tethered to the leg. Everywhere so public I have broken the rules of decency. Today I watch a man scissor the sky on platform ten. He leaps for joy, cuts the first sun of spring from shadow. My entire day is held in one gentle pocket. <<<
Weather Warning
First Published in Tempest by Green Ink Press
Storm Corrie lifts the keep-net from our bacchanalian days, releases all the saggy cans to dance like cow bells swung from jowls tripping down the scree. Our pastures still patchy green, we are half asleep hearing the end of the world, dreaming that jetsam hurled at cars is surely cattle clattering in to milk. <<<
Hilde’s Hut
When arson lurks across the site stealing its chance, robin perches sentinel, head cocked quizzical listens to crackle in apple tree leaves. Magnetic fields contour around the heat, disturb his flight. Robin hears his worms tunnel south. Acrid flames pull us in, the chilled few in vacillation point firemen to butts, to winter taps, miraculously on. Shaken we rake larch ash, defiant hang hinges, bolts on the spared branches of Hilde’s dwarf pear. Robin waits for rain. <<<
Good to see a subtly pro-wasp poem - I thought I was the only one!
Saying I like the language seems to be my catch phrase; but it’s the choice and juxtaposition of words that constitute a given writer’s way with words that engage me (or not of course)… even if the subject matter doesn’t appeal.
Reckon I must read again to get them ( thanks other commenters for enlightening me). Another gold star for O’Brien.